University of Waterloo, MA
McMaster University, PhD
phone: 6048224079

Y-Dang Troeung is Assistant Professor in the Department of English at University of British Columbia. She completed her MA in English at the University of Waterloo and her PhD in English and Cultural Studies at McMaster University. After completing her PhD, she spent six years living in Asia, working in Hong Kong and undertaking research in Cambodia.

Her areas of teaching and research interests include transnational Asian literatures, critical refugee studies, human rights, and global south studies. She is currently completing a book manuscript on the afterlife of the Cold War in Cambodia. Other planned research projects include: a study of the global politics of refugee sponsorship and a collaborative project on Afro-Asian circulations in the Global South. Her publications can be found in the journals Modern Fiction Studies, Canadian Literature, Interventions, University of Toronto Quarterly, Rethinking History, MELUS, ARIEL, Concentric, and Topia. At UBC, she is also a faculty affiliate of the Asian Canadian and Migration Studies Program and the Social Justice Institute.

Troeung, Y-Dang and Madeleine Thien. “‘To the Intellectuals of the West’: Rithy Panh’s The Elimination and Genealogies of the Cambodian Genocide.” Special Issue on “The Work of Return” (edited by Nadine Attewell and Sarah Trimble). Topia-Canadian Journal of Cultural Studies, Issue 35 (Spring 2016): 155-171.

Troeung, Y-Dang & Christopher Patterson. “The Psyche of Neoliberal Multiculturalism: Queering Memory and Reproduction in Larissa Lai’s Salt Fish Girl and Chang-rae Lee’s On Such a Full Sea.” Concentric: Literary and Cultural Studies. Volume 42, Number 1 (March 2016): 73-98.

Troeung, Y-Dang. “Buried History and Transpacific Pedagogy: Teaching the Vietnamese Boat People’s Hong Kong Passage.” ARIEL: A Review of International English Literature. Volume 46, Number 1-2 (2015): 239-255.

Troeung, Y-Dang. “Iterations of War and its Literary Counterforces: Vaddey Ratner’s In the Shadow of the Banyan and Kosal Khiev’s Why I Write.” MELUS: Multi-Ethnic Literature of the United States. Volume 40, Number 2 (2015): 96-116.

Troeung, Y-Dang. “Human Rights and the Literary Self-Portrait: Vann Nath’s A Cambodian Prison Portrait: One Year in the Khmer Rouge’s S-21Rethinking History: Journal of Theory and Practice. Volume 19, Number 2 (2015): 235 – 251.

Troeung, Y-Dang, Phanuel Antwi, Sarah Brophy, and Helene Strauss. “Introduction: Postcolonial Intimacies: Gatherings, Disruptions, Departures.” Special Issue on “Postcolonial Intimacies” (edited by Phanuel Antwi, Sarah Brophy, and Helene Strauss). Interventions: International Journal of Postcolonial Studies. Volume 15, Number 1 (2013): 1-9.

Troeung, Y-Dang. “Witnessing Cambodia’s Disappeared.” Special Issue on “Writing the Foreign in Canadian Literature and Humanitarian Narratives”: University of Toronto Quarterly (edited by Smaro Kamboureli). Volume 82, Number 2 (2013): 150 – 167.

Troeung, Y-Dang. “‘A gift or a theft depends on who is holding the pen’: Postcolonial Collaborative Autobiography and Monique Truong’s The Book of Salt. Special Issue on “Theorizing Asian American Fiction”: Modern Fiction Studies (edited by Stephen Hong Sohn, Paul Lai, and Donald Goellnicht). Volume 56, Number 1 (2010): 91-108.

Troeung, Y-Dang. “Forgetting Loss in Madeleine Thien’s CertaintyCanadian Literature. Number 206 (2010): 91-108.